Description
Glamour has never been more grotesque than in Female Trouble, which injects the Hollywood melodrama with anarchic decadence. Divine, director John Waters’ larger-than-life muse, engulfs the screen with charisma as Dawn Davenport, the living embodiment of the film’s lurid mantra, “Crime is beauty,” who progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair. Shot in Waters’ native Baltimore on 16 mm, with a cast drawn from his beloved troupe of regulars, the Dreamlanders (including Mink Stole, David Lochary, Mary Vivian Pearce, Edith Massey, and Cookie Mueller), this film—the director’s favorite of his work with Divine—comes to life through the tinsel-toned vision of production designer Vincent Peranio and costume designer/makeup artist Van Smith. An endlessly quotable fan favorite, Female Trouble offers up perverse pleasures that never fail to satisfy.
DIRECTOR-APPROVED SPECIAL EDITION FEATURES
- New, restored 4K digital transfer, supervised by director John Waters, with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary from 2004 featuring Waters
- New conversation between Waters and critic Dennis Lim
- New and archival interviews with cast and crew members Mink Stole, Pat Moran, Vincent Peranio, Susan Lowe, Mary Vivian Pearce, Hilary Taylor, and Van Smith
- Interview from 1975 featuring Waters and cast members Divine, Stole, and David Lochary
- Deleted scenes and alternate takes
- Rare on-set footage
- English subtitles for the deaf and hard of hearing
- PLUS: An essay by film critic Ed Halter
New cover design by Eric Skillman
Criterion Collection:
Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.
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